Announcement! Jennifer Saltzstein Kaffenberger Fellowship recipients selected for RYSA 2020!

For a third year, ASTEP is honored to select two stellar Volunteer Teaching Artists as recipients of the Jennifer Saltzstein Kaffenberger Fellowship for their work with ASTEP Arts at RYSA 2020 Gladys Pasapera and Lindsay Roberts!

ASTEP provides the arts component of The International Rescue Committee’s Refugee Youth Summer Academy (RYSA), a six-week summer camp, which supports the personal growth, cultural adjustment, and education for 2oo young people who have recently resettled in New York City (ages 4-22) and helps them successfully transition into the US school system. 

The current global health crisis has prevented RSYA from being held in person, however, ASTEP and the IRC were committed to giving these kids the RYSA camp experience, albeit digitally! Even from a distance, we can still create a space to nurture school readiness, a chance to build English language and coping skills, and most importantly, build community so they can thrive when they enter the public school system in the fall.

Lindsay and Gladys are part of a team of 9 Volunteer Teaching Artists who are introducing students to Visual Arts, Music, Storytelling, Filmmaking and Dance. Camp began this week so our team has been working hard to convert our lesson plans to a digital platform. We like to say that artists have a natural ability to be adaptable and think outside the box so our everyone is having a positive and memorable experience so far!

The Fellowship is a unique opportunity for individuals who closely model Jennifer’s values to use the arts to celebrate a young person’s strengths and build up their unique areas for growth. Through Gladys’ visual arts and Lindsay’s music classes, they will help youth affected by immigration status break down the barriers they face by building the skills they require to create a new life for themselves in their new home.


“I am very grateful to ASTEP and to the RYSA team for selecting me as one of the 2020 Jennifer Saltzstein Kaffenberger Fellows. I look forward to sharing and creating music and memories with the students at RYSA this summer, especially as we all venture together into the unknown of digital classrooms, exploring new capabilities and reimagining thoughtful, responsive, and impactful arts education.” Lindsay Roberts, 2020 Jennifer Saltzstein Kaffenberger Fellow

“This is really exciting! I’m thrilled to be receive this Fellowship honor. I find so many similarities between Jennnifer mission in life and my own: bringing our passion of arts education to everyone and establishing meaningful relationships. I’m excited to work my 6th summer with the Refugee youth Summer Academy teaching Visual Art this year and continuing to bring the power of the arts to my virtual classroom. ” Gladys Pasapera, 2020 Jennifer Saltzstein Kaffenberger Fellow








Firing up the engines of imagination

Jasmeene Francois, a 2019 Jennifer Saltzstein Kaffenberger Fellow, shares this blog post about her experiences teaching through the ASTEP Arts at Refugee Youth Summer Academy. A team of 16 ASTEP Volunteer Teaching Artists are leading the creative arts classes at the International Rescue Committee’s Refugee Youth Summer Academy, which supports the personal growth, cultural adjustment, and education of multicultural refugee youth and helps them successfully transition into the US school system. Through the arts, these young people learn they have what it takes to succeed no matter the obstacles, which is key to breaking cycles of poverty.

ASTEP’s Team of Volunteer Teaching Artists model collaboration during their training sessions!

Magical Play Dough

By: Jasmeene Francois, 2019 Jennifer Saltzstein Kaffenberger Fellow

How time flies!!! It is almost time for graduation and students will be showing their newly gained storytelling skills they have worked on for the past 5 weeks. This is my first experience with RYSA and I co-teach Storytelling for Lower School with the awesome Aaron Rossini. Even though I have been teaching for a few years, I was nervous about the first day of RYSA. The information we gained during the training laid a strong foundation before we started, but would I remember everything? What if I forgot the lesson plan?

However, my teaching partner, ASTEP and IRC colleagues were always at the helm with support and encouragement.

The students brought so much energy and creativity to storytelling class every time. I was able to witness many students in Lower School 1, 2 and 3 come out of their shells. There was an activity that I did during my full time theatre teaching position called Magical Play Dough and I was able to introduce and implement it for the class warm-ups. There are multiple aims of this activity. It serves as a movement activity while firing up the engines of imagination. With the Lower School classes we created rockets ships to outer space and beyond, mystical (and real life) creatures, and cars and boats to take us to our dream destinations. Usually an activity I did with the youngest of my students, I loved the enthusiasm of the older students as they molded this imaginary piece of play dough into something they might use everyday.

As the last week of RYSA draws to a close, I am full of joy and gratitude for my students, teaching partner, and ASTEP and IRC team. Thank you to the Jennifer Saltzstein Kaffenberger Fellowship for the incredible opportunity to work with the wonderful and
creative students at RYSA.

 

There’s a monster in there!

Aaron Rossini, a 2019 Jennifer Saltzstein Kaffenberger Fellow, shares this blog post about his experiences teaching through the ASTEP Arts at Refugee Youth Summer Academy. A team of 16 ASTEP Volunteer Teaching Artists are leading the creative arts classes at the International Rescue Committee’s Refugee Youth Summer Academy, which supports the personal growth, cultural adjustment, and education of multicultural refugee youth and helps them successfully transition into the US school system. Through the arts, these young people learn they have what it takes to succeed no matter the obstacles, which is key to breaking cycles of poverty.

The theme for RYSA 2019 is PRIDE!

RYSA’s Final Week

By: Aaron Rossini, 2019 Jennifer Saltzstein Kaffenberger Fellow

Heading into the final week of RYSA is, in all honesty, bittersweet. It’s sad to know that our time with the students is coming to an end, and it is inspiring to see how much they’ve grown in what seems like such a small amount of time. I couldn’t be prouder of what we’ve been able to accomplish, and I am constantly wondering whether or not we could’ve done more. It’s a strange push and pull that teachers need to live inside; we need to meet the students where they are and hope to guide them a little past their comfort zones. We accomplished so much, and it feels like we can do so much more. There is always work to be done.

I want to share three moments that define this summer for me, and I hope can offer some insight into my experience to you:

 

“I want to be a better actor, so I can be a hero.” – Lower School 3
At the beginning of every class, we ask our students to set intentions or goals for the day. Miss Jasmeene or I might ask something like: “How do you want to grow today?” or “What do you want to achieve before the end of class today?”

On our third class, the Monday of our second week, we asked our students to shout out one goal they want to accomplish. This was met with a flurry of responses, some genuine, some goofy, and one in particular stood out to me. “Mr. Aaron, I want to learn to be a better actor, so I can be a hero,” said a girl in our Lower School 3 class. She went on to say that boys always get to be the superheroes, and she wanted to become a better actor, so she could be a superhero and save the world. To anyone wondering about the value of storytelling, this young woman offered us the case in point.

 

“Can I tell him in French, so he understands?” – Lower School 2
We often break the students up into smaller, more intimate groups to work on storytelling activities. On the Wednesday of week 3, we had the students break out into three groups of 5 or 6 to work on filling out some word sheets for their Mad-Libs.

Many of the students were super-charged-up at this chance to show off their vocabulary skills. Others were a little intimidated at the prospect of coming up with Verbs, Nouns, or Adjectives. One particular student, whose primary language is French, was very overwhelmed by the activity. When I engaged with him about the task, he shut down even more. This came as a surprise to me, since I had clocked him as able to understand most of my instructions in the previous classes. I looked up for some help, and there was one of his classmates and friends with a big smile on his face, “Mr. Aaron, can I tell him in French, so he understands? Then he will be able to do it in English.”

“Of course and thank you for the help!” Relieved and rescued by a 9-year-old, I saw this young man explain the entire activity– every last detail– in French, then translate it into English, patiently helping his classmate. I was so moved by this demonstration of empathy and patience, that I almost lost track of the fact that the first boy was now deeply engaged and enjoying the activity all thanks to his friend’s compassion and understanding.

 

“Mr. Aaron, you gotta make sure there isn’t a monster in there!” – Lower School 1
There’s a fun storytelling game called “Box on a Shelf” that involves a Silent pantomime where we pull a box off of a shelf, open it, and act out what’s inside. It can be an ice cream cone or a kitten or a rocket ship, anything the performer wants to make. Toward the end of class, the final day or Week 2, I performed a “Box on the Shelf” that had a monster in it. The monster chased me around the room, and I needed to solicit help from my fellow teachers to get it back in the box. Naturally, this was a huge hit, and all the students had tons of fun. Well, almost all of the students…

The following Monday, I started the day with another round of “Box on the Shelf”. As I reached up to pull a box off the shelf, one of the students screamed at the top of her lungs, “NO! MR. AARON THERE’S A MONSTER IN THERE!!!” I stopped dead in my tracks and looked at her, “Mr. Aaron, you gotta make sure there isn’t a monster in there!” What could I do? Well, I got the whole group to circle around the box and keep their eyes peeled and their monster-catching-hands ready. Fortunately, there wasn’t a monster in the box. This time there were popsicles, and we all had a treat!

 

This was my second time as a RYSA instructor, my first time as a Lead-Teacher, and my first time working exclusively with the Lower School students. I’m grateful for my time, my students, the IRC, ASTEP, my co-teachers, my peer mentors, my teammates, and for the Jennifer Saltzstein Kaffenberger Fellowship. I hope this summer is a proper dedication to her memory, and I am honored to have shared in it.

Announcement: 2019 Jennifer Saltzstein Kaffenberger Fellowship Recipients for ASTEP Arts at the Refugee Youth Summer Academy!

ASTEP is thrilled to announce that Jasmeene Francois and Aaron Rossini have been selected as recipients of the 2019 Jennifer Saltzstein Kaffenberger Fellowship for their work with ASTEP Arts at Refugee Youth Summer Academy!

In partnership with the International Rescue Committee, ASTEP leads the creative arts component for the Refugee Youth Summer Academy (RYSA), a six-week summer camp which supports the personal growth, cultural adjustment, and education of refugee youth and helps them successfully transition into the NYC school system.

Through a team of 18 Volunteer Teaching Artists, ASTEP designs, implements and oversees RYSA’s creative arts classes, which focus on visual art, dance, music, and storytelling for 100-130 refugee youth aged 5-25 years old.

The Fellowship is a unique opportunity for individuals who closely model Jennifer’s values to use the arts to celebrate refugee youth’s strengths and build up their unique areas for growth. Jasmeene and Aaron will collaborate as co-teachers for the Storytelling Class for our youngest students in the Lower School program. Together, they will use the arts to help youth affected by refugee status break down the barriers they face by building the skills they require to create a new life for themselves in their new home.


“Thank you so much! I am truly honored to be nominated as a Fellow. I also feel honored to work with students in honor of Jennifer’s legacy. I hope to pass on the love for the arts, especially drama, to the young people we’ll be working with this summer. Thank you again so much. I am so touched by this and inspired by Jennifer’s life and work.” Jasmeene Francois, 2019 Jennifer Saltzstein Kaffenberger Fellow

“I’m honored to be named one of the 2019 Jennifer Saltzstein Kaffenberger Fellows. Jennifer was a force for good in this world, and I humbled to carry on her legacy this summer at the Refugee Youth Summer Academy. I want to thank Jennifer’s family and ASTEP for thinking me worthy of this opportunity.” Aaron Rossini, 2019 Jennifer Saltzstein Kaffenberger Fellow

 

 

 

Be a part of Refugee Youth Summer Academy 2018!

 

For our 9th consecutive summer, ASTEP is teaming up with the Refugee Youth Summer Academy (RYSA), a 6-week summer camp that focuses on welcoming newly arrived refugee youth to their new life in NYC.

At RYSA, ASTEP Teaching Artists use their art form to help the students achieve school readiness, build English language skills, and develop coping skills and confidence. ASTEP Teaching Artists lead performing and visual arts classes with these goals in mind so that the students can learn to fully embrace who they are, where they come from, and where they are going. We use art as a tool to show students that they can be proud of who they are and thrive.

Program Dates: June 30th – August 17th

Application deadline: May 15th

Location: New York City

Time Commitment: 7 Hours Per Week

Who: All artists! We need a diverse team and hope that you are a part of it!

– Email Sami Manfredi at sami@asteponline.org or give us a ring at 212.921.1227 to learn more!

– Stipends are provided for ASTEP Teaching Artists








Week 5: Successes Large + Small


By: Marcus Crawford Guy, 2017 Jennifer Saltzstein Kaffenberger Fellow

Success at RYSA comes in all forms: students standing quietly in a circle; hearing a student’s voice for the first time; or bringing a student back to neutral after an experience that has triggered something traumatic, and often yet to be articulated or grasped. Our students are brave in ways I will never be — their early childhood experiences have shaped them sturdily and as much as I hope I have impacted their young lives in America, I know that they have affected mine immeasurable. Today one of our assistant teachers (tactlessly, I might add), told the students that the end was nigh… and while I think the language barrier protected many of them from this truth, it got me thinking about their triumphs and there are a few I want to document because they were moments where I too was learning.
 
A student in our youngest group (we’ll call him Austin) has been engaged since day 1. Sometimes Austin wanders, sometimes he is a little despondent and at times he has acted out, but his intention has always been clear — he wants to learn, even when that process is challenging. Today Austin was full of beans – unable to stand still, incredibly verbal and just a little hyper. In spite of this, he was engaged more than he has ever been in the classroom. The excess energy and noise was not problematic because, though untamed, it was allowing him to engage in the work and demonstrate knowledge in a new way. Kelsey and I worked with it, acknowledging that though the behavior will eventually need corrected, it was better to celebrate the positive improvement in his work. The skills can’t coalesce all at once and that’s OK! It strikes me just writing this that this is a lesson I need to teach myself in my own professional and creative endeavors – thanks Austin!
 
Next up: Corey. Corey is incredibly sensitive. The slightest sense of negativity or disappointment from a teacher will send him spiraling – he huffs, he needs to leave the room, he cries and he shuts down. But I think it is born of a pressure that I have noticed in many of our students — a need to impress, to embrace this new opportunity and to succeed, with positive reinforcement, in every moment. I can relate to this. An over-achiever from a very young age, the most potent moments of my young life, even now, are the ones where it feels like I am on the brink of letting someone down that I respect. For me, it is important to just keep Corey involved, to take his answers even when they are incorrect, and to listen to him offering correction, redirection and opportunity where possible. Corey is an active learner, and so when he is left to sideline, or his behavior is treated as “bad” or “disruptive”, he recedes and regresses. The arts classes at RYSA allow us the time and space to celebrate these differently able learners and engage them in ways the traditional classroom may not.
 
Finally, there’s Bethany. Bethany started class today with a statement not dissimilar to, “This class is rubbish!” If an adult spoke to me with this apathy, I’d likely walk the other way, but in the classroom with young students, its an invitation to engage more carefully with that student’s experience. What is this a reaction to? And how can I, the teacher, or leader in this environment, guide this student towards success, achievement and growth that will alter that negative response? I let her know how that made me feel, and asked the entire class to engage in one particular value of the RYSA program — respect. As soon as Bethany sat down today, I verbally narrated all of her positive behaviors, making clear that her successes were not going unnoticed. I respected her adherence to the classroom code of conduct, and in turn, she respected the work we were doing. She participated thoughtfully, and though she might not admit it herself, she even cracked a smile and enjoyed herself! This small interaction reminded me that it is much easier to engage with students with positive attitudes, but that good behavior + work can be culled from any student and it is the teacher’s duty to find a way to activate this kind of positive teacher-student relationship, even when resistance is offered.
 
The RYSA experience is so much larger than the classroom spaces we occupy for 6-8 hours a week. For me, it has sparked a continual assessment of the way I engage in all of my professional and creative interactions. Am I present? Am I positive? Am I willing? And can I do more? The answer to all of these questions always has to be yes, especially when I am in the drivers seat and a young person’s education, development and growth is in my hands.

Week 4: “I-We-You” Learning Process


By: Kelsey Lake, 2017 Jennifer Saltzstein Kaffenberger Fellow

This week at RYSA included a few challenging moments but culminated in some exciting and encouraging progress. Marcus and I were very excited about the prospect of our classes working as teams to create stories on their own. We wanted to see at what degree of independence they could accomplish this is at the RYSA graduation performance. So, we gave them a Mad Libs type story structure, set a five -minute time limit, and for the older students told them they had to complete the group story without communicating verbally.

We had practiced filling out Mid Libs-style sentence stems and stories together as a class, but we didn’t realize that the task we actually set for the students was one they didn’t have much practice with – working as a team, without teacher supports, in the specific context of Storytelling class. The class quickly got a little chaotic: there was conflict between students, confusion about how to complete the task, and frustration as some students took leadership roles while others felt excluded and shut down.

Yikes! We let the timer run out and decided to spend time reflecting on “what went well” and “what could go better next time.” Most of the answers received – “listening to the teacher,” “doing better next time,” “not talking” – were rote responses about classroom behavior, instead of the reflection on teamwork that Marcus and I were driving towards.

Once Marcus and I had a chance to reflect, we realized we had set a task that many adults find difficult to achieve. Though we still believe firmly in the students’ ability to work as a team in Storytelling class, we realized also that we’d skipped an essential step of the “I-We-You” learning process. In fact, we had jumped all the way to the “You” phase, asking them to independently model a task and demonstrate comprehension of a concept that we hadn’t explicittly modeled ourselves or practiced with them in class activities.

So, for Thursday’s class, we decided to take a conscious step back and focus on reinforcing the storytelling and language concepts we’d been working on, but also including conversations, observations, and examples of how being part of a class was similar to working on a team – it includes compromise, respect, and listening as essential ingredients.

We temporarily lost sight of a main RYSA objective – to help students develop interpersonal skills. To get back on track, we made such skills part of our process, instead of expecting them to magically appear in class without practice or exploration. Students started embodying these teamwork principles in different ways; one very prominent example was the students putting their hands down after another classmate was called on, showing respect and giving space for other ideas. These small moments at RYSA are actually the big victories, helping students understand “school rules” from a perspective of teamwork and leadership skills, instead of just learning rules by rote.

As we helped the students learn, we had breakthroughs as educators. Sometimes, for one step forward, you take two steps back. But, if you refocus on the learning process rather than any products you’re driving towards, students and teachers together can grow in their understanding of teamwork and leadership skills in the classroom.

 

 

 

THE MIDPOINT: Where are we now?

By: Marcus Guy Crawford, 2017 Jennifer Saltzstein Kaffenberger Fellow

Ok. I’ll be honest — when I saw that there were 5 full training days at the start of July for this program, I thought “What do they need to teach us that requires 40 hours of my time?” That’s more time than we’d spend actually instructing our students in the individual classrooms. It seemed so extensive and I couldn’t fathom how we’d be able to integrate all of this new information into our classrooms in the way our well-versed New York City, Dept. of Education colleagues would. The jargon, and the rigor with which it was being taught, seemed to separate me from the work I was desperate to do and had felt prepared to do.
 
But, here I am, halfway through the journey of RYSA R.I.S.E with this incredible body of students, and it’s all proving useful — some of it in small ways, others in more profound, and substantive ways, but I’m using it, it feels accessible and while it’s likely an imperfect product I’m delivering at times, it feels good to be wearing the teacher hat in a formal setting. And to be doing so with only 5 days of training vs. 4+ years (and college debt).
 
Training in hand, this week Kelsey and I dove in to tackle this large heading — Summative Assessment. Basically, we wanted to set a task that would gauge just how much our students have taken in in these past 3 weeks of class. What concepts have they held on to from our class and what skills are they able to exhibit that the program, at large, is trying to equip them with? This will help guide our second half of the course. So true to form, we put on our super academic hats, our serious faces, and played mad-libs with the kids! 
 
They loved it! Our youngest group, the Smiling Sunbeams, needed lots of scaffolds (another fancy education word, meaning support!) to help them through but they really latched on to certain ideas. Most importantly for us in the storytelling classroom imagination is a concept that the kids definitely know and love. This feels like a huge victory over iPad and game console culture. Our oldest group, the Rising Stars, knew all of the vocabulary that we had taught them, but struggled more with transferrable skills — cooperation, compromise and delegation of roles. This was a great opportunity to defer to our assistant teacher in the class, who spends the entire day with the students and could relate our learning, to those of other teachers in other classrooms. On a second attempt, they soared through the exercise.
 
 Finally — we led the Flying Arrows who had the most interesting response to the exercise. Many of the students in this class, have a very difficult time grasping the English language, while a core group of others are vocal, participatory and typically help Kelsey and I move the class along. Surprisingly, there were no spectators and everyone got involved. Our more able students took on leadership roles and made sure the large task was accomplished, while our true English Language beginners spent time searching through the words, sounding them out, using this exercise as an opportunity to be curious, to discover and to do so without feeling pressure to achieve. It was extraordinary to watch.
 
RYSA is teaching me so many things, but most importantly for this week, it was great to be equipped with the skills to actually gauge where our students are in their own process of skill-acquisition. It didn’t feel academic. It felt like I was prepared to serve the students, to witness their progress, and to talk about it with a degree of sophistication. We were told in training that we should be seeing the student, and not their trauma. I would take that one step further and acknowledge that this week we saw their growth – bright, budding and wonderful!

Week 1: STORYTELLING: Fact not Fiction

By: Marcus Crawford Guy, 2017 Jennifer Saltzstein Kaffenberger Fellow

It’s hard to believe that training and week one of teaching at the Refugee Youth Summer Academy (RYSA) have already come and gone. Lots of information, data and procedures that were learned on paper and through presentation in the training sessions were put into practice, challenged and executed this week. It was so important to be reminded that we can only be trained based on what has happened in previous years and that only serves as guidance for the experience we are currently having. There is no standard way for a student to experience the programming at RYSA. It’s improvised and live and as an actor, I find it thrilling.

Most notably, I was taken aback at the extensive and complex English vocabulary that many of the lower school students demonstrated on the first day of class. It was an incredible gift to be met with students who not only had English language capabilities, but also felt (for the most part) uninhibited sharing them with the group. It was shocking in the best of ways, because Kelsey and I had buffered our lesson plan, almost scripting it, to ensure our use of language wouldn’t be confusing. We were met with lots of raised eyebrows, knowing smiles and nods of understanding that proved our students are ready for the next level of English language immersion, tutoring and acquisition.

In deciding how best to tell and share stories with the students, Kelsey and I decided that we wanted to distinguish between the real and abstract and teach these concepts with clarity. What is real, actual and based in fact — that chair is wooden — and what is fictional, abstract and imagined — there is a blue elephant dancing in the corner of the room. As trained actors, we decided to create two alter-egos, SPARKLES & SPELLSY who accompany us when we are telling stories and really challenge the students to see more than what they are – wooden spoons with pipe-cleaner arms and legs! In teaching our first class, where we learned to introduce ourselves and where we are from, we had a hearty laugh with Lower School 2 (the Flying Arrows!) when the following scene unfolded:

Marcus: Everyone say hi to Sparkles and Spellsy!
Students: Hi Sparkles and Spellsy!
Kelsey: Can anyone tell us where Sparkles and Spellsy are from?
Student A: They’re wooden spoons. They’re not from anywhere…
Marcus & Kelsey: … (exchanged looks – they’ve unraveled our elaborate plan already!)
Student B: I know where they’re from!
Kelsey: Where?
Student B: TOMATO SAUCE! They’re wooden spoons!

We then engaged the students in a dialogue about how it feels to be called the wrong name or incorrectly identified, which proved a useful hook for opening up the idea of imagination and investing in another reality, where we agree upon the circumstances presented to us. Their ability to grasp this idea quickly made it clear to see that our students are prepared to go on an exciting journey with us where they are not only playful, but curious and inquisitive – skills that will serve them well when they enter the school system later next month and that we want to encourage and cultivate.

Next week we will be continuing our exploration of THE SENSES and seeing how Sparkles and Spellsy — who are now so much more than their wooden spoon exteriors — hold up as the students learn more about how to tell stories by describing the world around them (real or imagined) with specific detail.